Now that he has joined Rehman Dakait's group, Hamza becomes powerful following his demise. Dhurandhar 2: The Revenge picks up where the first installment left off. Despite being a work of fiction, the movie makes several allusions to actual events, including the 26/11 Mumbai attacks. In Dhurandhar 2, director Aditya has included the narrative of The Unknown Gunmen.

Unveiling of Unknown Gunmen by Aditya Dhar

In places like Pakistan, the Unknown Gunmen stay covert and go out in disguise to kill members of anti-Indian organizations. In practice, they would mostly target anyone connected to Lashkar-e-Taiba or Jaish-e-Mohammed. They have been in operation for a long time. The Unknown Gunmen enter the scene as the nation's governing elite anticipates a quick reaction to assaults.

They respond swiftly and employ their presence of mind to rid society of anti-Indian forces. The Unknown Gunmen are crucial to the nation because neither the enemy nor the will to defend India will go away anytime soon.

Dhurandhar 2 plot

Hamza, an Indian spy working out of Lyari, Pakistan, is pursuing several people in Dhurandhar 2. He mentions the perpetrators of terrorist acts in India, including the Mumbai 26/11 explosion and several more occurrences of a similar nature. He accomplishes his objective with the aid of The Unknown Gunmen.

But he has a difficult task ahead of him. Hamza must stay one step ahead of Bade Sahab (whose identity is revealed in Dhurandhar 2) and Major Iqbal (Arjun Rampal) even after murdering the terrorists.

About Dhurandhar 2

Aditya Dhar's Dhurandhar 2 tells Hamza's tale following Rehman Dakait's passing. He takes control of Lyari and becomes the new Sher-E-Baloch. He preys on Major Iqbal and Bade Sahab while posing as one of them to put a halt to anti-Indian activities. To stay undercover, Hamza must deal with betrayals, falsehoods, patriotism, and cunning. The movie also looks at his journey from Jaskirat Singh Rangi of Punjab to Hamza Ali Mazari of Lyari, as well as what turned him into a murderous machine.